Nollywood-tuned subtitling and dubbing in consent-licensed voices. Deliver streamer-ready to Netflix, Showmax, Prime and YouTube, or own your French audience right on the uploads you already have.
Code-switch ASR across 12 source languages, every line ready to subtitle or dub into 14, from Nigerian to French, Swahili & more.
Built for the platforms you deliver to
Showmax
IROKOtv
The same Nollywood-tuned localization, pointed at whichever audience is yours.
Subtitle and dub your slate, delivered streamer-ready.
Own your French audience, on the videos you already have.
A single pipeline takes your source from upload to a polished, platform-ready package, humans where judgement matters, AI where scale does.
Drop a multi-GB master, resumable uploads survive flaky connections. We extract audio and pre-flight the file automatically.
Real ASR that tags each token's language across Nigerian and pan-African speech, with diarization. Claude adapts tone, idiom and honorifics into any of 14 target languages.
Linguists and the dubbing director edit line-by-line in a purpose-built console, guided by the cultural-review agent's flags.
Ship IMSC 1.1 / TTML subtitles and 5.1 audio masters, fanned out per platform against the right compliance preset.
Purpose-built for Nigerian content and the realities of streaming delivery, not a generic captioning tool with a coat of paint.
Hybrid AI/human dubbing that reaches the viewers who'll never read subtitles, performed in voices their owners explicitly licensed, music & effects preserved under the dialogue, with transparent per-deployment royalties that pay the talent.
Per-token language ID across 12 source languages (English, Pidgin, Yorùbá, Igbo, Hausa plus Swahili, Zulu, Amharic and more) with speaker diarization. It reads how a scene actually switches, mid-sentence.
Eight product agents (cultural review, glossary curation, compliance, reading-speed and more) keep idiom, honorifics, consistency and platform spec intact at scale.
Pre-release content is encrypted end-to-end (MPA TPN posture). Each voice owner's data sits under its own key, withdraw consent and it's cryptographically shredded.
Versioned compliance presets and a one-click conform: a single project fans out to Netflix, Showmax, Prime and more, each formatted and validated to spec.
Producers, linguists, directors and voice owners collaborate with role- and language-scoped views, a linguist sees only their assigned French lines.
Subtitles ask viewers to read. Dubbing meets them in their own language, the difference between reaching a market and actually playing in it. Here's how a scene becomes a dub.
Pidgin, Yorùbá and code-switching rendered naturally into Swahili, French, Arabic and more, the meaning and the texture, not a literal gloss.
Synthesize each character in a voice its owner licensed (the actor's own, or a cast voice) never a stranger's. Music & effects stay intact under the dialogue.
A dubbing director reviews every take line-by-line, tunes pace and emphasis, and re-records on demand until it lands.
Deliver a platform-ready 5.1 master, with per-deployment royalties accruing to every voice owner, traceable on one shared audit trail.
Every cloned voice belongs to a real person who agreed to it. Owners and producers see the same append-only audit trail: every deployment, every payout, nothing hidden on either side.
Pay only for what you localize. Move up as your slate grows.
For a one-off title or a first pilot.
For active producers shipping a slate of titles.
For studios with volume and bespoke delivery needs.
Pricing is tailored to your slate and languages, reach out and we'll scope it with you.
Dub and subtitle with cultural nuance and consent, so your story travels, and the talent who carry it get paid.
Korrella